Precedent Study3:TEL AVIV MUSEUM OF ART

Reference:pscohen.com/projects.html

Precedent Study2:Denver Art Museum

Libeskind’s design consists of geometric, titanium-clad angles, which reflect the nearby Rocky Mountain peaks and rock crystals.

The new Frederic C. Hamilton Building is situated directly south of the two-towered North Building, designed by Italian architect Gio Ponti and James Sudler Associates, and adjacent to the Denver Public Library, designed by Michael Graves.The expansion, the museum’s first major addition since the North Building was completed 35 years ago, nearly doubles its facilities.

The Hamilton Building rises from two stories to four as it moves towards the north. A sharply cantilevered section of the building juts across the street towards the North Building above an enclosed steel-and-glass bridge that links the two structures.



The bridge also provides access to the new Duncan Pavilion, an indoor/outdoor event space.
From the pavilion visitors can view the mountains and the Denver skyline.

The new building will house the Modern and Contemporary art collection as well as the collection of Architecture and Design and Oceanic Art and serve as the main entrance to the entire museum complex.
A giant bronze spider by French-born American sculptor Louise Bourgeois is placed in front of the entrance.
Visitors enter the building through a visitor’s service area before moving into the 120-foot high El Pomar Atrium that features dramatically sloping walls, a skylight, and a grand staircase that follows the walls to provide easy access to the building’s galleries. The main lobby also provides access to the museum shop and 280 seat auditorium.


An additional two-story atrium is located in the bi-level modern and contemporary galleries. The gallery spaces include an outdoor sculpture garden.



The Museum complex includes a landscaped pedestrian plaza, designed by Libeskind, featuring significant works of outdoor sculpture.
Three new sculptures around the Hamilton Building are the Big Sweep by Coosje van Bruggen and Claes Oldenburg, Scottish Angus Cow and Calf by Dan Ostermiller and an untitled sculpture by Beverly Pepper.
The Museum Residences

“The project is not designed as a stand alone building but as part of a composition of public spaces, monuments and gateways in this developing part of the city, contributing to the synergy amongst neighbors large and intimate.”
Daniel Libeskind

Photo courtesy Denver Art Museum
Model

Drawing courtesy Denver Art Museum
Early concept watercolor sketch by Daniel Libeskind.

Image courtesy Denver Art Museum
Steel Drawing


Reference:http://www.arcspace.com/architects/Libeskind/denver2/denver2.html

Precedent Study1:National Gallery of Art, Washington

Working sketch for building plan, National Gallery of Art East Building
Reference:www.nga.gov/.../eastbuilding/latesketch.htm

Overview of the East Wing of the Gallery
Reference: http://www.thecityreview.com/arcnow.html

West Building

East Building

Reference: www.visitingdc.com/museum/national-gallery-ar...

Interior of East Building

Reference:www.tripadvisor.com/ShowUserReviews-g28970-d1...

The East Wing of the National Gallery of Art in Washington DC was created by I.M. Pei in 1978. The crisp geometric monumentality of the East Wing of the National Gallery of Art, Washington DC has been called the first late-modern building. The East Building of the National Gallery of Art in Washington DC has a collection of modern art only.The West Building has paintings, sculptures, and graphic art from the Middle Ages to the present. Hence, two different artworks represent different styles of the buildings, but the two seperated buildings of the gallery form an entirety, which are integrated into a combination of tradition and modernism. Also, the interweaving of the internal space makes visitors between the past and the present through time and space.

Reference:
1.Kester Rattenbury, Rob Bevan, Kieran Long, Architects Today, P240, Laurence King Publishing in association with Harper Design International, an imprint of HarperCollins Publishers, 2004
2. National Gallery of Art, www.visitingdc.com/museum/national-gallery-ar...

Project 2: Final Submission

My Narrative: A silent room with diffused uneasiness for a woman playing the piano.

Project 2: Project In Progress

I was using 1.8mm box board to create the cliff site, which is really really hard to cut. I tried my best to cut the curve smooth, but it is a absolutely difficult thing to deal with. The reason why I choose box board to be the material of the site is because that I want to show the characteristic of the cliff, which is firm, heavy and massive.